Fine Art Printing

Many artists are advent to understand the inherent of the additional wage inherent in art reproduction. Once the primary is gone, the buck stops there; there is no occasion to create wage for the piece. Fine art printing has been nearby for centuries. It started with engraving copper plates (and other alloys) and creating a dinky edition. Artists such as Max Klinger were true masters. The few prints that remain are valued at tens of thousands of dollars. There are many ways to reproduce art. The most tasteless has been lithography. Plates are generated, covered with dyes and the inks are transferred to paper.

In the last 20 years a revolutionary technology has emerged with the advent of expert large format inkjet printers. The process to make high capability reproductions is generally known as giclee.

Printer Inkjet

These are some of the characteristics of giclee printing:

Setup is much cheaper for giclee than producing offset for litho printing (no plates need to be generated).

Quality is best than press both in resolution and color range.
Did you know giclee printing offers a much wider color gamut than primary presses?

Much more range of papers such as canvas and watercolor than press as giclee printing is not as fussy with substrates.

Different sizes can be printed on examine to adapt the market.

While the newest Giclee printers use 6 or more colors, primary printing is 4 colors: a lot of the pigments artists choose simply cannot be reproduced. The gamut (Range of colors reproduced) is higher with giclees. Manufacturers added extra pigments such as light cyan, light magenta, to growth chromatic rendition.

Regarding pigments, make sure that your giclee victualer uses pigments and not dyes for printing. This is an essential component to insure persisting reproductions. Every printer has dissimilar characteristics: A portion of Dpi (dots per inch) is often overrated as to the only portion of quality. There are 300 Dpi expert machines capable of rendering artwork of a much higher capability than a buyer level printer rated at 720 or 1,440 Dpi.

Ultimately, even with all the math and gamut graphs available, the true test is to gawk a giclee next to the original. Use a lupe if one is available to see any dot pattern.

One caveat: although giclee is vastly classic to offset, the limitation is the per unit cost and if tens of thousands of prints need to be made, lithography is much cheaper.

What many artists do is to create a dinky edition giclee run and then mass produce posters on paper with lithography.

For more facts on giclee please visit our fine art giclee printing site.

Fine Art Printing